Kevin Keith Baker follows the bitterly divorced rockers as they unleash their music on a whole new audience: Kindergarteners. By day, they're "Sunny & Share," injecting their twisted tunes about paedophilia, lung cancer and homemade bombs into the curriculum. By night, they walk on the dark side, dabbling in drugs, amateur porn and prostitution. Finally, a rock 'n' roll movie musical for the unattractive, unloved, unarmed inner child in each of us.

Packages from Planet X is a US/Canadian animated television series produced by American Greetings and DHX Media that first premiered on Disney XD on July 13, 2013.A charismatic 15-year-old, Dan Zembrosky, from the bizarre town of Iron Bay suddenly receives strange, cryptic packages from an evil alien planet. The packages arrive in various forms and Dan and his two best friends use them to their own advantage, whether it be to make the soccer team, pass a test to avoid summer school or get out of trouble, all while keeping the mysterious contraptions out of the hands of Copernicus, an evil alien who is plotting to take over the world.

完美男人阿木的节目。 　　分享各种东西，大半夜叫来gmm各位一起聚餐都能出一期的下饭番。 　　P.S.为gmm在豆瓣添砖加瓦的工程似乎越来越壮观了。

完美男人阿木的节目。 　　分享各种东西，大半夜叫来gmm各位一起聚餐都能出一期的下饭番。 　　P.S.为gmm在豆瓣添砖加瓦的工程似乎越来越壮观了。

While staying at a tropical resort, a man becomes convinced the American timeshare company running it has an evil plan to take away his loved ones.

When two families are booked for the same time share, both fathers (Cage and Smith) square off against one another.

Eat the Document is a rarely exhibited documentary of Bob Dylan's 1966 tour of the United Kingdom with the Hawks. It was shot under Dylan's direction by D. A. Pennebaker, whose groundbreaking documentary Dont Look Back [sic] chronicled Dylan's 1965 British tour. The film was originally commissioned for the ABC television series Stage '66. According to Howard Sounes's biography, "Down the Highway: The Life of Bob Dylan", after his motorbike accident in July 1966, Dylan viewed a cut of the material edited by Pennebaker and Bob Neuwirth and thought it was too similar to Dont Look Back. 　　Dylan decided to re-edit the film himself, assisted by longtime associate Howard Alk. Dylan however. Pennebaker stated: "It's not something you learn parking cars in a garage. You gotta know some of the rules and he didn't know any of the rules." It can be assumed Dylan knew some of the rules (he had, after all, seen films) and that some of the unconventional editing choices were deliberate. Dylan and Alk's cut was eventually shown to ABC television, who promptly rejected it as incomprehensible to a mainstream audience.[1] 　　The film includes some powerful live performances of Dylan's songs of the period. It was never given a theatrical release or made commercially available on video, but unauthorized bootleg copies circulate among Dylan collectors. Also circulating in various bootleg formats is a long outtake featuring a possibly alcohol- or drug-impaired Dylan in a limousine with John Lennon. As Dylan shows signs of fatigue, Lennon urges him to get a grip on himself: "Do you suffer from sore eyes, groovy forehead, or curly hair? Take Zimdon!...Come come, boy, it's only a film. Pull yourself together."[2] Todd Haynes's film I'm Not There features a dramatisation of this conversation, with Cate Blanchett as Bob Dylan. 　　Highlights of the film include an interview with the Manchester Free Trade Hall concert-goer who shouted "Judas!" during the second, electric half of the set; the performances with the Hawks; the scenes of Dylan and Robertson in hotel rooms throughout England playing otherwise-unreleased songs; and a piano duet with Johnny Cash. 　　Some of the concert footage shot for Eat the Document - including the "Judas" incident in Manchester's Free Trade Hall - was used in Martin Scorsese's Dylan documentary, No Direction Home.

A Fuel injected, full turbo and fresh off the line show for car lovers. Host Craig J. Jackson drops the knowledge you won't find in any driver's manual. From avoiding traffic violations to car thieves, Test Drive gives you the keys to the road.

A documentary readymade about family lore and chocolate biscuits.

Pioneering filmmaker Siegfried A. Fruhauf (Thorax, MIFF 2021; Water and Clearing, MIFF 2019) returns with a cinematic journey in which landscape images are separated by several monochrome frames of green leader. 　　Simultaneously connective and disorientating in its stroboscope effect, the Austrian master’s new work strings together landscape recordings created in the context of a camera test. The result is a sparse yet slashing work, where the camera’s gaze zooms into the passing landscape – and into the uncanny sublime. 　　源自：https://miff.com.au/program/film/camera-test